![]() ![]() The book opens with Bach’s partitas in “E minor” (BWV 830) and “A minor” (BWV 827) - followed by various contributions from different composers and writers. It definitely looked like a gift that was created to celebrate an intimate and special occasion. The 1725 version (Notebook for Anna Magdalena Bach) followed a broadside format, had a gilt-edged binding of vellum and was laid out lavishly. The first Notebook (1722 version) contains numerous pieces crafted by Johann Sebastian himself, including short organ pieces, air with variations and fragments of French Suites in “C minor” (BWV 813) and “D minor” (BWV 812.) On the contrary, Anna composing them can surely be a possibility being a fine musician herself. However, this claim isn’t universally acclaimed, partly because there’s no real evidence for such facts. Recent studies have suggested that Anna Magdalena might also have crafted some of the compositions under her husband’s name – namely the aria from the “Goldberg Variations,” (BWV 988) and the six cello suites (BWV 1007-1012). Anna Magdalena was left to depend on government handouts and charity for survival. Unfortunately, when Bach passed away in 1750, their children parted ways owing to disagreements. Bach “she could perform decent soprano.”Īnna Magdalena and Johann Sebastian had enjoyed a productive and radiant partnership, music contributing as their common catalyst of interest. During that time, the Bach family was the beating heart of the artistic community in Leipzig. She was also a regular host of dinner galas at the Bach manor, where family members and friends used to experiment and perform with their art. In 1729, she received an invitation to perform at Prince Leopold’s funeral. Anna was a proficient musician in Germany and continued her performances even after completing her nuptials. She is mainly famous for being the partner and the recipient of the Notebook by Johann Sebastian Bach. Anna MagdalenaĪccording to musicologists, Anna Magdalena was somewhat overshadowed by her legendary partner. The collection is one true portrait of European music in the early 18 th century. The children were supposed to study their father’s work, make first entries into the polyphony and also practice the art of accompaniment. The notebooks were specifically used for household usage. The year, “1725” was engraved below it.Īt that time, Bach’s three children - John Gottfried Bernhard, Carl Philipp Emanuel, and Wilhelm Friedemann were 10, 11, and 15 years old respectively. The middle part of the notebook contained an engraved inscription “AMB,” the acronym of the first three letters of Anna Magdalena Bach. The notebook comprised of two clasps and was also wrapped in red satin ribbons. The 1725 one was an illustrious gift, draped by gorgeous green leather, with a gold cornice completing the frame. The second and third notebooks were dated 17 respectively and were gifted to Anna. It is dated 1720 and was completed prior to the Bach and Anna Magdalena’s nuptials. The first one, “Clavier Notebook” is dedicated to Bach’s first son. Three such albums were discovered in the Bach household. This practice was not limited to the field of music, but also a common occurrence among artists who created family albums of short stories, paintings, and poetry. It all started with the widespread common trend among artistic families of creating their own house albums. Basically, modern publishers exercise discretion while choosing which pieces to include. However, the modern renditions of the notebook don’t contain all the works – some are studies for “basso continuo,” some are vocal while some are incomplete. There’s a stark difference between the two publications - the former comprising exclusive works by Johann Sebastian himself, while the 2 nd notebook incorporated the works of several artists. ![]() It must be noted that the famous compilation is generally associated with the 2 nd publication, which has a more widespread appeal in the musical community. The Notebook spans over two separate publications - titled “Clavier-Buchlein Vor Anna Magdalena Bachin” (Notebook for Anna Magdalena Bach). The entries in the notebook are rich in diversity, featuring chorales, arias, and solo harpsichords – offering a rare glimpse into the musical legacy of the illustrious Bach family. ![]() ![]() It contained selections and entries by various family members over a vast period of time. These notebooks served as both a family journal and a medium of instruction. Johann Sebastian Bach was no exception and had crafted two notebooks for his 2 nd wife, Anna Magdalena. In the 18 th century, registering music in a written format was a prevalent part of every musician’s work. ![]()
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